| 1. | A representation of Persian language influence over Akhtari-e Kabir (Sihah-e Akhtari), an Arabic–Turkish dictionary | |
| Pages 7-32 | ||
| Maqsood Parhizjavan; Hassan Akbari Beiragh; Esmat Esmaeili | ||
| 2. | The review of the language position to the lyric style of Orfi Shirazi | |
| Pages 33-54 | ||
| Esmaeil Tajbakhash; Orang Ezadi | ||
| 3. | Review of deviations in the" Sherastan" based on the pattern Leech | |
| Pages 55-76 | ||
| Abdollah Hasanzade mirali; Mohammad Rezaei; Narjes Moghimi | ||
| 4. | The Sounds of Love in two Works: "Savaneh" and "Abhr-Alasheqhin" (Comparing and studying language for graundings in two works) | |
| Pages 77-102 | ||
| Somayeh Sadeghian; Azar Hamidi | ||
| 5. | Half-truth rhetoric and its differences with justification and allusion | |
| Pages 103-116 | ||
| Fatemeh Sahraie | ||
| 6. | The Stylistic and Generic Iconography in Selected Religious Epics with an Emphasis on Allusion | |
| Pages 117-136 | ||
| Zahra Faraj Nezhad Farhang | ||
| 7. | The Most Important Element of Imagination and Creating Mental Imagery in the Poetry of Rudaki | |
| Pages 137-160 | ||
| Seyedali Karamati | ||